Film #55: Altered (2006)

Aliens have a raging affair with rednecks.
The lovefools just can’t keep their probes out of those good olde boys.
And who can blame the little green love machines? Just look at those hicks; their jiggling hairy beer bellies; the Kentucky Waterfall greased by years of bath-aversion; the black corn teeth festering behind blistered lips.
Mmmmmmmmmmmmmmm, hooooot.

















The aliens in this week’s flick, Altered, are no different than their saucer-driving counterparts. Somewhere in the Deep South 15 years ago, five t'ween yokels were abducted by rapey ETs and made into lab gerbils. All but one finally returned, but faced ridicule after explaining their disappearance with tales of prison-tough space men.

The t'ween kept captive the longest by the aliens, Wyatt, decided he had enough of alien-play-time when he got back and self-removed an alien-GPS from his innards. Then, he went into hiding.
The other three survivors made it a habit of returning to their abduction site to try to trap/kill/probe the aliens that turned their lives into a post-traumatic hell.














Call it Southern ingenuity, or just dumb luck, but the SOBs actually managed to capture one of the ferocious Venusians. With pissed off outer space buddies hot on the missing alien’s trail, the rednecks freak out and search for a place to not only hide, but exact their revenge on their alien.
“Let’s take it to Wyatt; he lived with them the longest! He’ll know what to do!” they say.

Wyatt is not very pleased to see his fellow abductees for the first time in years, who have more than just a touch of bad yellow alien blood between them. Kill the alien, Wyatt warns, and other aliens will kill them. And he doesn’t just mean them them, but all of human kind them.
The aliens are so superior, it would be more a slaughter than a war, he warns.



















What follows is a tension dance over just what to do with their alien, and later, how to avoid it killing them.

And you thought the government goons in ET were the bad guys. They were just trying to save us from the alien apocalypse! Not so much? Well, yeah, thing is, Altered’s aliens aren’t like ET. They are strong, clawed, telepathic, and don’t like warm-touch fingering humans. Then again, who does?

Will the four intergalactic travelers find the forgiveness and compassion to spare the alien’s life, thereby sparing humanity? Is Wyatt somehow the key to all mankind’s survival? Just what do aliens find so fascinating about human intestines?
Find out, in the 2006 splatter horror/sci-fi film, “Altered.”



RDHP Ratings and Reviews

C-Rating: 4.5
Chris Dimick probes:
“I believe in aliens. There, I said it. And if you believe too, you shouldn’t be ashamed. Science and logic are on our side.
With billions and billions of stars in the universe supporting billions and billions of planets, the chances are more than good that Earth isn’t the only place that has developed intelligent life.

The bigger question people should ask is not if alien life exists, but whether it could travel to Earth. This I also believe is possible, given the right technology (wormholes anyone?).


















But why would aliens travel millions of light years across open space, risking life and antennae, just to abduct and study backwoods rednecks? Why don’t they just plop their space ships down on the White House lawn and announce to the world “What up bitches! Let’s party!”
Why do they always seem to just mutilate cattle and rape morons?

The answer is simple: the mullet.

Yes, from Billy Ray to Altered character Duke, the mullet is so enchanting that aliens have come billions of miles to Earth to study it. Who can blame them? The mullet defies all science. There is business in the front, but party out the back! “Illogical,” Spock, an alien, would scream at the sight.

It’s more than a hairstyle, it is a religion and probably the key to all happiness (You never know…). Mullets take patience to grow, dignity to maintain, and hair gel to grease.
A mulleter in the 21st century has to sport chutzpa to rock a glorious mud flap, and are due an examination by an alien race as to their ability to shield all pop culture and preppy distain.

From the outside looking in, the aliens must think of mulleters as our leaders. The haircut screams pure intelligence (why choose between long or short hair when you can have them both) and steadfast resolve to habit.
What can’t a redneck teach the aliens that a Congressman would? Could Obama teach ET to hate other races and chug a 1/5 of Jack?
A direct path to understanding human kind is to “follow the mullet,” as aliens like to say.

In addition to its beautiful display of white trash language and streaming mullets, Altered has even more to offer than an explanation for extraterrestrials efforts. Directed by The Blair Witch Project’s co-creator Eduardo Sánchez, the film packs the edge of Blair Witch while backing up the scare with brilliant special effects.

This was more than just a monster on the loose movie. Pockets of depth lined this premise, with apocalypse undertones and an X-Files type mystery feel to the plot.

The tension hummed steadily as the main players first fought, then defended against the alien. And let’s talk about that alien. He was a badass, a mix between Independence Day’s intelligent war hawks and Predator’s man-rippers.

The piece is pure in its intentions, to scare and disgust in equal measure. But Sanchez never trades effects for story, balancing both among dramatic dialog exchanges and freaky twists. Altered is a fresh take on the scary alien – its tone is like the film “Signs,” but with more punch and bite. Literary, the aliens bite.














Why do aliens abduct rednecks so often? The same reason it was great to watch them in this film.
They are rowdy, spontaneous, foul-mouthed, unintelligent and disorganized… yep, sounds like a representation of mankind to me.”


N-Rating: 4.2
Nick Rich probes:
"It feels strange to say, but who knew mullets could be so refreshingly fun? I genuinely forgot how much fun it is to watch rednecks (and their illustrious plumage) flail around in situations that are way beyond their depth.

First things first: you may notice that Chris and I are quite worked up by the mullet factor in this film... and rightfully so! The mullet is the universal symbol for "you are about to have a rockin' time" and it doesn't take itself seriously, so you can enjoy a guilt-free laugh at its expense (which is truly priceless). Yes, I referred to the mullet as I would a person... if you have a problem with that I suggest you take it up with him.

Now that we have that out of the way, on to Altered! What can I say? It was a fun-filled romp that had just about everything you could want in a sci-fi horror film offering. As mentioned, it is set in the Deep South complete with stereotypical characters, which in other instances might seem clichè, but in this film it truly worked. Chris and I were instantly put at ease with the film once we heard the ornery spewings of the puffed up redneck and witnessed the luscious mullety locks of the lead redneck swaying in the moonlight - it was like going in for a job interview and having the interviewer throw away their question list and instead opt to ask you what you thought of last night's episode of Fringe; instant ease. Needless to say this loosened us up nicely, allowing us to enjoy the ride the remainder of the film would present.


And present it did! I went into this film knowing nothing about it, but somehow assumed that it would be a low-budget film (possibly because of the Blair Witch connection, which makes no sense because that film made like a bajillion dollars) and boy-howdy was I wrong!
The acting was appropriate (except for the girlfriend, who was a bit stiff), the effects were extremely well done (and squirm-worthy!) and the story had a freshness to it. I dug that the story tried to be more than a simple monster mash, but for my money, there were some gaping holes in the logic at times... not enough to make me enjoy the film less, but enough to make Altered fall short of being an A-list film.

But the universe is as it should be, because somehow this film just wouldn't feel right if it were A-list (aka business)... there'd be no room for the party in the back! And while Altered may not be the smartest film in the world, in this case, country don't mean dumb.

The Skinny: Check this flick out if you're in the mood for a workhorse film that will entertain and make you jump... or if you've ever wondered who would win in the coming war between rednecks and aliens."


Things We Learned From Altered:
-If you grow a mullet, you give up the right to be a human.
-Harpoons are ineffectual weapons when hunting aliens.
-Best way to wake up is with a whiskey bottle.
-Hillbillies love guns, “because guns are awesome.”
-Nick thinks the lead actor is comparatively more attractive than his onscreen wife.
-There is nothing worse than infected junk.
-Even in the 21st century, rednecks still love them some Confederacy.
-Human intestines fascinate aliens.
-Beer can disinfect a bear trap wound:




















RDHP Salute:
Rednecks!
The mullets! The drinking! The cussing! The stupidity! What’s not to love about rednecks? They are the sons of the Earth, drinking shine and spouting nonsense. Whether you like your rednecks white trash or cowboy, there is a genre for every preppy city-slicker to detest.
Below, we give a random salute to all things redneck, which could serve as a crash course on the species for any aliens reading. All hail rednecks! May your mullets grow long and your sister’s remain doable!

They love guns:
















And gittin' dirty:

















They outpopulate "normal" people:


Because even their men can get preggers:
























They aren't very active in politics:



















But can be ingenius when necessary:



















Best of all, they know how to really unwind:

















YAY FOR REDNECKS!





Film #54: Dr. Terror’s House of Horrors (1965)

Does Dr. Terror see a lot of patients?
As horror fans, yeah, we might go see him.
But, we’d have to guess a guy with a name like Dr. Terror draws in as many paying customers as a dentist named Dr. Drillsalot or a contractor named Hugh Crook.
Likely, this is why the namesake of this week's film opened a House of Horrors. Because really, aren’t doctors' offices just as frightening-- with their death's-doorstep old people and greasy magazines?











This week’s horror adventure starts with a smiling Dr. Terror (Peter Cushing) entering a crowded train car. Room for one more honey, the gents exclaim! Like a desperate singleton dropping his doctor credentials in a bar, Dr. Terror accidently spills his beloved tarot cards at the feet of his cab mates. "Ooops! Oh my, how did THAT happen," he slyly proclaims.

What’s up, doc? The boys call. Well, Dr. Terror isn’t of the medicine ilk, but a edumacated gent who specializes in the dark arts of fortune telling.
One by one, Dr. Terror uses the cards to show the men’s future, which all contain some sort of twisted supernatural drama. The vignettes unfold with increasing horror:

Story 1: A man returns to the mansion he grew up in, and was forced out of, to help the current owners install a ballroom. What he finds behind the walls isn’t your standard mouse droppings and depression-era stashed cash, but the body of a nefarious werewolf thought to be legend. Like any home renovation... it doesn’t go well.

Story 2: A man experiences his own personal house of horrors when a mutated vine grows in his backyard, feeding on Fido and any other fleshy morsel that comes in its path. Just another reason to destroy all vegetation, one oil spill at a time. Bless you BP!


Story 3: A swinging trumpeter steals a buggy Voodoo beat during a trip to the West Indies, despite local’s warnings that the tune belongs to their god. Back in Britain, he performs the ditty, and then his head goes splitty. Death metal it t'was.

Story 4: A snooty art critic (Christopher Lee) goes too far to silence a mocking artist, maiming and murdering the Michelangelo. But the paint-slapper gets the last laugh when his body parts return from the grave for revenge. I've heard of giving a critic the finger, but the whole hand?!

Story 5: A charming Donald Sutherland picks up a sizzling French wife and brings her home to the States. Coincidentally, as soon as they arrive small children and old people begin to get feasted on by a vampire. But it couldn’t be the mysterious woman who likes to lick my hurt cuts, could it, old Donald contemplates?


It is five horror tales in one train-wrapped package as the unfortunate cabin-mates of Dr. T try to avoid their fate, in the 1965 titillator Dr. Terror’s House of Horrors.




RDHP Ratings and Review

C-Rating: 3.5
Chris Dimick woo-wooooos:
“Doctor's are full of shit. Oh, they think they are so smart, and so much better than you with their 10-year degree and $250,000 student loans. But they are just monkeys with pants on, just like the rest of us.
And that is really the leverage they have over us, isn't it, their pants. You go into their stinking office festering with disease bags, wait among the rabble for 45 minutes, and then graduate to another smell-filled room only to be ordered to take off your pants.

Then in waltzes the doctor, in full tie and dress pant, acting important and like your master.

What the hell can you say to a doctor's advice, sitting there with your pants off? You are in no position to question his bullshit.

Not only do you look and feel like an idiot half naked, but here is this guy next to you ordering you around and commanding authority.

After giving you meaningless advice and poking your cold flesh, they send you on your way with a nice $1,000,000,000,000,000 bill to show for your wasted afternoon.

You know what Doctor Terror? I don't care what kind of a doctor you are, be it dermatologist or witch, but go f%#k yourself with your stethoscope. You, and all your lab coat wearing band of @$$holes.

Oh, yeah, and I liked this movie. Christopher Lee, Peter Cushing, Donald Sutherland and a series of horror vignettes. Can't go wrong. Horror fans dream... but not as scary as a doctor's visit.


















N-Rating: 2.7
Nick Rich woo-woooos:
"I find investigating what scared people at different times throughout history fascinating. To think about what rattled the human brain during different time periods not only gives you an insight into the times you are studying, but into man himself.

If Dr. Terror's House of Horrors tagline "The Fear of The Year" is to be believed, then in 1965 man was terrified of the following (in the order of the tales):
  • The weight of familial legacy (Weep for the progeny of Astronaut Mike Dexter)
  • Home ownership (Shudder!)
  • Unfamiliar cultures/beliefs (They do what?)
  • Looking foolish (There are oh, so many ways...)
  • Not truly knowing your spouse (You're WHAT?!?)
I'm sure as you reviewed the above list you were able to find at least one thing that horrified you... I know I did. It just goes to show: as much as things change, they stay the same.


While that is all well and good... I didn't find myself falling in love with DTHoH. I found this film interesting to watch as a study in fears throughout the years, but sadly, ill equipped to downright entertain me. The stories were steeped in sheer 60s-ness, which has traditionally entertained me in other decades (usually the 80s, but other decades have stolen my heart in their own special ways), but due to the apparently general boringness of the early 1960s DTHoH fell flat for me.

The stories were predictable, yet somehow felt unique... an odd combination which left me feeling conflicted. Overall I think this flick has stood up nicely over time (much nicer than the print we watched which popped and crackled at us from time to time), but the pacing seemed to drag a bit. Chris didn't seem to notice, but many times during the film I found myself wondering how a movie that runs 1 hour and 37 minutes could feel so long. Add the fact that Tales From The Crypt (which was made 7 years later and, as we discovered, a total rip-off of DTHoH) was much more entertaining (a reflection of the apparently exciting late 60s) and there you have DTHoH's death knell as a 'full-on enjoyable ride'.

As a trailblazer (as far as I know) I was left with a lasting respect good ol' Dr. Terror... but really, how exciting is it when someone says 'I respect you' instead of 'you thrill me'?

The Skinny: Check this flick out if you don't believe how doldrum life could be in the early 60s or if you want to see a flick where Donald Sutherland isn't even mentioned on the movie poster!





















Things We Learned From
Dr. Terror's House of Horrors:
-Bands sound better when they got brass.
-Monkeys are always fun, and essential for a 1960s movie.
-The French really suck...blood.
-Christopher Lee got his groove back through murder.
-Severed hands don't burn... so don't even try it.
-"There are lots of things a blind man can do."
-(In Jeff Foxworthy voice) "If your new wife wants to lick your cuts... she might be a vampire."
-Donald Sutherland looked like Donald Sutherland in 1965.
-Fire resistant plants could "mean the end of the world."
-An "unexpected gift" can be a piece of bird crap landing on your head:




Quote of the Viewing:
[A huge killer plant takes root outside a man's home. Scientists debate ways to get rid of it.]

Scientist: "There must be some way to stop this?"
Nick: "Yeah, don't water it. Or expose it to sunlight. Or fire."




RDHP Presents:
Random Tribute to Donald Sutherland

Why do we love D.S. so much? The answer is in his eyes. Yes, his voice doesn't match his strange face. And he is a skinny SOB. But the guy can act, and has done so in more than a few horror pictures. See his illustrious career in horror below. We could have saluted co-stars Peter Cushing or Christopher Lee for their horror exploits... but you'd have seen it coming a mile away.


Puffball: The Devil's Eyeball
2007



An American Haunting
2005



Virus
1999



Outbreak
1995



The Puppet Masters
1994



Buffy the Vampire Slayer
1992



The Rosary Murders
1987



Invasion of the Body Snatchers
1978



Die! Die! My Darling!
1965



Castle of the Living Dead
1964